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Gerold Miller
Kunsthalle Weishaupt, Ulm
2016 -
Gerold Miller
Kunsthalle Weishaupt, Ulm
2016 -
Gerold Miller
Mies van der Rohe Haus, Berlin
2014 -
Gerold Miller
Mies van der Rohe Haus, Berlin
2014 -
Gerold Miller
Lange + Pult, Zurich
201 8 -
Sydney and Walda Bestoff Sculpture Garden
New Orleans Museum of Art
2019 -
Anlage 50/51, 1995
Steel, matt lacquer
280 x 220 x 12 cm | 110.2 x 86.6 x 4.7 in
Gerold Miller (1961, Altshausen, Germany), is an established contemporary minimalist and abstract artist presently based in Berlin. He studied sculpture at the State Academy of Art and Design in Stuttgart.
Venturing within the intersection of sculpture, painting, and installation, Miller tests the limits of conceivable space and representation. His notorious vision, set, and section series derive from a minimalist principle of a precise and radically reduced composition of superimposed color surfaces. To produce a contrasting effect, the artist combines finely shaded gradients, matte and glossy lacquer, as well as varying monochromatic tones. The viewer and his immediate surroundings are momentarily reflected on the lacquered stainless steel, becoming an integral element of the composition itself and defying preconceived notions of artwork as an inanimate object.
Miller pushes his minimalist ideas to an even further extent. In his Monoform series, two equally proportioned aluminum angles are hung horizontally, one above the other. Similarly, Verstärker or "amplifier", his first series of free standing sculpture, also draws from the premise of an open structure concept. Made of three projecting beams, it embodies the universal and basic notions of dimension: height length, and depth. As opposed to defined and enclosed geometrical forms, the Monoform and Verstärker series reject spatial boundaries and emphasize infiniteness.
The artist's oeuvre exploits the innumerable possibilities of interpreting and visualizing our physical present, while engaging with diverting themes such as abstractions and form, perception and reality, motion and structure. Although repetition and seriality are essential subjects of his research, each work is distinct from one another. Miller successfully creates an image exempt of preexisting references and introduces a space to be discovered and defined by its viewer.
Gerold Miller's work has exhibited internationally in various leading institutions including, Nationalgalerie, Berlin; Louisiana Museum of Modern Art, Humlebæk; Kunsthalle Winterthur; Kunstmuseum Stuttgart; Kunsthalle Weishaupt, Ulm; Tel-Aviv Museum of Art; Museo de Arte Latinoamericano, Buenos Aires; Museum Moderner Kunst, Wien; Fondation Cartier, Paris; Berlinische Galerie; Schirn Kunsthalle, Frankfurt a. M.; Opera City Gallery, Tokio; MASI Lugano, Museo d'arte della Svizzera italiana; Musée d'Art Contemporain, Bordeaux; and ZKM, Karlsruhe.
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x_minimal | curated by Friederike Nymphius
14 May - 2 Oct 2021x_minimal (across minimal) is a cross over survey of minimalistic tendencies from the late 70es until today. Each of the selected artists has developed a signature style, which distinguishes his...Read more -
Gerold Miller. The Monoform Show
12 Sep - 21 Dec 2019The Monoforms are a series of works which came into being in 2014 with Monoform 1: conceptually and formally, they reveal the maximum material reduction of Gerold Miller's artistic process...Read more -
Gerold Miller
2 Nov 2017 - 10 Feb 2018Since his beginnings as an artist, the viewer has played an important role as a critical entity as well as an active participant in Gerold Miller's artistic research. He has...Read more